This paper discusses the multidisciplinary dance performance Algorithms. Anamorphoses. Anomalies by Olga Sevostyanova and Eka Zharinova. It traces the influence of methods such as Real Time Composition by João Fiadeiro and the 3Q System by Iztok Kovač, and works by Trisha Brown, such as Accumulation, to deliver our little discoveries on the possible use of mathematics in dance making which became a basis of the piece.