This paper explores the representation of infinity through Bharatanatyam, a classical Indian dance form. By integrating mathematical, physical, and metaphysical concepts of infinity into movement, the choreography seeks to embody endlessness through spatial patterns, repetition, and symbolic gestures. The study examines key choreographic choices, such as the use of the infinity symbol, continuous motion, and perspective-based illusions, to create a tangible expression of infinity through a dance film. This work contributes to the intersection of mathematics and performing arts, demonstrating how movement can serve as a dynamic medium for abstract concepts.