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Results: Category "music" (Page 1)
Architecture and Mathematics: Art, Music and Science
Bridges 1998 Pages 11–20
Automatic Interval Naming Using Relative Pitch
Bridges 1998 Pages 37–48
The Poetics of Mathematics in Music
Bridges 1998 Pages 69–72
The Mathematics of Steve Reich's "Clapping Music"
Bridges 1998 Pages 87–92
Subjective Fidelity and Problems of Measurement in Audio Reproduction
Bridges 1998 Pages 129–138
Interpersonal Hypothesis and the GUHA Method - Abstract
Bridges 1998 Pages 277–278
What is the Difference between a Banjo and a Harley-Davidson Motorcycle? Answer: You Can Tune the Harley - Abstract
Bridges 1998 Pages 291–292
The Mathematics of the Just Intonation Used in the Music of Terry Riley
Bridges 1999 Pages 101–110
Some Briggsian Bridges Between Sense Perception, Postage Stamps, and Stylized Proportions or A Musician-Mathematician Looks at Life
Bridges 1999 Pages 123–130
Where's the BEAT? Discovering the Musical Rhythms and Accompanying Mathematical Patterns in Poetry
Bridges 1999 Pages 157–160
The Art-Science Marriage, From Quarrel to Understanding
Bridges 1999 Pages 279–290
Music, Mathematics, and Magnetic Ordering - Abstract
Bridges 1999 Pages 295–296
Towards A Topology of Music - Abstract
Bridges 1999 Pages 299–299
Towards a Methodological View on (Computer-Assisted) Music Analysis
Bridges 2000 Pages 99–104
Musical Composition as Applied Mathematics: Set Theory and Probability in Iannis Xenakis's "Herma"
Bridges 2000 Pages 141–152
The End of the Well-Tempered Clavichord?
Bridges 2000 Pages 169–176
Maximally Even Sets
Bridges 2000 Pages 193–200
On Musical Space and Combinatorics: Historical and Conceptual Perspectives in Music Theory
Bridges 2000 Pages 201–208
A Fresh Look at Number
Bridges 2000 Pages 255–266
Come un meccanismo di precisione: The Third Movement of Ligeti's Second String Quartet
Bridges 2001 Pages 37–46
The Use of Ratios in the Player Piano Studies of Conlon Nancarrow
Bridges 2001 Pages 159–166
Humor and Music in the Mathematics Classroom
Bridges 2001 Pages 175–180
The Influence and Use of Music and Mathematics in My Art
Bridges 2001 Pages 223–232
The Linear Diophantine Equation in Music Theory - Abstract
Bridges 2001 Pages 339–339
Constructing a Piano -- A Key is Provided by Leonhard Euler - Abstract
Bridges 2001 Pages 340–340
Creating Prelude Music Using Number Patterns - Abstract
Bridges 2001 Pages 342–342
Set Operations in the Music of Nikolai Roslavets
Bridges 2002 Pages 17–24
The Pi Symphony: Numeric Sequences in Music
Bridges 2002 Pages 49–53
Time-Space of Music - Abstract
Bridges 2002 Pages 82–82
Exploring Fractal Geometry in Music
Bridges 2002 Pages 83–90
Hearing With Our Eyes: The Geometry of Tonal Space
Bridges 2002 Pages 123–134
A Mathematical Analysis of African, Brazilian, and Cuban Clave Rhythms
Bridges 2002 Pages 157–168
Anne Bulckens' Analysis of the Proportions of the Parthenon and its Meanings
Bridges 2002 Pages 221–226
A Musical Suite Based on the Platonic Solids
Bridges 2002 Pages 227–233
Pure-Tone Approximation to Equal-Temperament: How Close is Close? - Abstract
Bridges 2002 Pages 284–284
Tonal Optimization in Music Playing
Bridges 2002 Pages 293–300
Real Kecak Systems - Abstract
Bridges 2002 Pages 319–319
Classification and Phylogenetic Analysis of African Ternary Rhythm Timelines
Bridges 2003 Pages 25–36
On the Perception of Tone
Bridges 2003 Pages 77–84
Hidden Geometry in Music of Bach and Schoenberg: Reflection, Rotation, Proportion
Bridges 2003 Pages 283–290
Dynamical Systems: A Golden Gate from Auditory Physiology to Musical Aesthetics?
Bridges 2003 Pages 331–338
The Relationship among Proportions, Ottoman-Turkish Music and Architecture - Abstract
Bridges 2003 Pages 561–561
New Pentatonic Scale Relationships with Visual Parallels - Abstract
Bridges 2003 Pages 569–570
Music - Sounding Proportions in Motion - Abstract
Bridges 2003 Pages 585–586
El Compás Flamenco: A Phylogenetic Analysis
Bridges 2004 Pages 61–70
Cognitive Models of Music and Painting
Bridges 2004 Pages 109–116
The Influence of Incipit Length on the Results of Statistical and Information-Theoretical Melody Analysis
Bridges 2004 Pages 133–140
Asymmetric Rhythms, Tiling Canons, and Burnside's Lemma
Bridges 2004 Pages 189–194
Hunting Additional Pixels in Digitally Amplified Art: Looking for Clues in Music, with Inspiration from Mathematics
Bridges 2004 Pages 223–230